A comprehensive historical survey of new music theater, tracing its evolution across opera, musicals, avant-garde performance, and multimedia forms.
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A comprehensive historical survey of new music theater, tracing its evolution across opera, musicals, avant-garde performance, and multimedia forms.
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Alternatives to grand opera and the popular musical can be traced back through the modernist experiments of the 60s, the Broadway and off-Broadway theater operas of the 30s and 40s, to early Stravinsky and Kurt Weill, and at least as far as the 1912 premiere of Schoenberg's Pierrot Lunaire. Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first co...
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will contain mild spoilers
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