
Scholarly essays applying Bakhtin’s carnivalesque theory to Shakespeare, exploring festival, the grotesque body, and festive culture.
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Scholarly essays applying Bakhtin’s carnivalesque theory to Shakespeare, exploring festival, the grotesque body, and festive culture.
This book is the first collection to assess a range of Shakespeare's plays in relation to the theory of the carnivalesque. Contributors re-historicize the carnivalesque in different ways, offering developed applications, or critiques, of Bakhtin's thought as expounded in Rabelais and His World Following an introductory overview of Bakhtin's ideas, the grotesque body looms large in such figures as Jack Cade, Falstaff and Cardinal Wolsey. Elsewhere the Dance of Death jostles with folk custom and c...
will contain mild spoilers
Recurring scholarly discussion of bawdy comedy, the body, and sexual carnival motifs
Analysis of death, rebellion, and Dance of Death motifs across several plays
Occasional discussion of Shakespearean bawdy and coarse festive language
Brief treatment of feasting, drinking, and Falstaffian excess in carnival context
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Recurring themes: Puritanism, clergy figures, Erasmus, and religious roots of carnival
Brief discussion of fairy and festive magic in A Midsummer Night’s Dream
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Central focus on hierarchy inversion, class, carnival politics, and social order
Passing analytical reference via Hamlet and Romeo and Juliet death themes
Referenced historical cruelty and rebellion (e.g. Jack Cade) in critical context
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