In 1938, death is exploited as the British Empire extends into the afterlife of Summerland, where a rogue spy hunts a Soviet mole.
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In 1938, death is exploited as the British Empire extends into the afterlife of Summerland, where a rogue spy hunts a Soviet mole.
"How do you catch a spy who's already dead?"
Loss is a thing of the past. Murder is obsolete. Death is just the beginning. In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased. Yet Britain isn't the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god. When SIS agent Rachel White gets...
will contain mild spoilers
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Minor violence likely due to spy themes; specifics unclear.
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Minor themes possible due to afterlife setting; details unclear.
Moderate fantasy elements tied to afterlife and metaphysical concepts.
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Major political themes with British-Soviet rivalry in afterlife setting.
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