The hue and cry after cupid
No CoverA Renaissance masque by Ben Jonson, blending humor and satire in a courtly performance.
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A Renaissance masque by Ben Jonson, blending humor and satire in a courtly performance.
will contain mild spoilers
Central Cupid-driven themes of desire with courtly sexual innuendo and mythological pairings.
No violence or gore depicted.
Mild period bawdy language and innuendo typical of Jonson's masques.
References to wine and courtly revelry in mythological context.
Mythological same-sex desire implied through classical gods and allegorical figures.
No religious themes present.
Mythological magic and spells wielded by Venus, Cupid, and attendant deities.
No occult or demonological content.
Court satire on love, marriage, and social hierarchy in Stuart England.
No self-harm or suicide depicted.
No abuse or suffering depicted.
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