
Diana Lewis Burgin, Ellendea Proffer, Михаил Булгаков, Hans Fronius, Katherine Tiernan O'Connor, Mikhail Bulgakov
Satan and his retinue wreak havoc in atheist 1930s Moscow, weaving satire, a Pilate-and-Christ retelling, and a writer’s devoted love story.
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Satan and his retinue wreak havoc in atheist 1930s Moscow, weaving satire, a Pilate-and-Christ retelling, and a writer’s devoted love story.
An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. One hot spring, the devil arrives in Moscow, accompan...
will contain mild spoilers
Central devoted love story; nudity and sensual witch/ball scenes
Decapitation, crucifixion, beatings, and chaotic demonic killings
Occasional strong language in satirical Moscow scenes
Recurring heavy vodka drinking and comic drunkenness
No LGBTQ+ representation depicted
Jesus and Pilate retelling; faith versus atheism central throughout
Witch ointment, flying, transformations, and stage magic central
Satan and demons as main characters; Satan’s ball; pervasive demonic acts
Central satire of Stalinist bureaucracy, censorship, and state atheism
Despair, mental breakdown, and anguished manuscript burning
On-page crucifixion and beating; Soviet-era cruelty and coercion
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